What’s the deal with the wooden dagger? It doesn’t appear anywhere in the text, so why is it in the title? What does it have to do with the story? The answer has to do with medieval theatre and use of props in character development. Characters in the medieval morality plays were often named for traits they were meant to embody. The vice figure was one of comic relief, meant to tempt and bring folly towards characters of virtue or other such positive traits. The vice often turns to the audience, and delivers lines by breaking the fourth wall. This brings about an inclusion so that the audience is in on the misdeeds.
They would carry a wooden dagger on stage. This prop was meant as a direct gesture to inform the audience, ‘Hey! I’m the villain.’ By the Renaissance, Shakespeare had dropped the prop, but perfected the role of vice in Richard III and Iago of Othello. These characters turned to the audience, told them of the intent, and then turned back to the story world with their malice in practice. A contemporary version of this that has resonated with audiences would be comic book antihero Deadpool, or average politician Frank Underwood in House of Cards.
That’s my aim with Beatrix. She’s an antihero of sorts, who wants to fill you in on her thoughts and intent as she does whatever her wretched heart desires. The book consists of five stories that span over the course of her life, and plays with time. It’s framed with bits of the thriller, cultural satire, and dysfunctional family drama.
That’s the deal with the wooden dagger. I framed this character after the many vices I’ve come across, and hope to turn you off to humanity with her antics. If you’re still with me, give it a shot!
As always, thank you for your time.