Book Review: A Glitch in the World

I read ‘A Glitch in the World’ on a whim. Alex Drozd offers questions regarding the human condition through the scope of science fiction, and on the surface his vision of the future feels incredibly real.

Debate is used in ways that reflect upon contemporary issues with a futuristic spin. One of my favorites centered on the topic of music production. Computers and AI produce music, as there’s no human element in the popular songwriting process. One character prefers this, while another expresses a nostalgic longing for the days when people made music on computers. It reminds me of a conversation I had with my father when I was a child where he described the virtue of music produced without computers, whereas I have a taste for music made on computers.

Another question the book proposes revolves around the worth of an individual. Motorized vehicles are 100% automated and with AI responsible for driving, the value of a person is brought into the equation when it comes to the occasional accident. People are quantified based on a number of variables, and the computer does everything possible to spare the more valuable entity, even if it includes killing the lesser person. I feel the value of a person could be considered controversial if corrupt powers have any sort of influence, but Drozd did not venture there.

What we get is a story about a teenager full of angst, and the complications that arise after a friend commits suicide. There are beings from a parallel universe that only appear to our protagonist, and my only gripe is that their motives seem bigger than the end result. Even still, the ending offers a twist of sorts that is great fun.

The book was well edited in terms of proper grammar, but I feel some of the phrasing throughout could’ve used a little more tweaking. Drozd offers readers a fantastic effort in his debut.

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The Girl Who Takes An Eye For An Eye: A Book Review

David Lagercrantz does excellent work. ‘The Girl Who Takes An Eye For An Eye’ is his second contribution to the Millennium Series, and it’s a stronger piece of fiction than his first. He has mastered the characters and their motives to such a degree that I’m no longer aware of a disparity between the writing of Lagercrantz and Larsson.

The narrative begins with Lisbeth Salander serving a prison sentence for crimes committed in the previous book. An innocent inmate is the target of gross abuse by a most guilty inmate, while the guards look the other way. Salander takes an interest, and intervenes with violent results, and takes it upon herself to correct the record. Thus begins a revenge thriller that captures the essence of Larsson’s characters and story world. It’s a wild ride that’s worth the price of admission.

In order to not give anything away I’m going to keep this review short and sweet. I take delight in these novels, and will continue reading further installments of ‘The Millennium Series’ while Lagercrantz writes them. His additions compliment the original trilogy with equal quality.

 

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