This’ll Feel Like Home-My Friends of Mumvies Boy

Disclaimer and personal opinion: the unique band name is derived of a story oddly close to infringing upon the copyrights of Friday the 13th.

My time with Mumvies Boy came with a predetermined expiration date, so I knew from the start that we’d share a limited series of moments. No long-term commitment allowed me to apply effort without any real pressure. I felt free to be myself, and play the parts as I saw fit. The core members consisted of the songwriting duo Michael Davanzo and Tommy Isaac, and their plans involved relocation after obtaining their respective degrees. With their previous drummer having departed from the Columbus area I was welcomed into their circle. Bias runs through this text, but music is best described in terms of taste… their approach to creating music is most tasteful.

I met Michael at Ohio State in the fall of 2013. Through our studies we became acquaintances, but through music emerged friendship. He was living with Tommy off of Hudson, and I met him when I finally came over to jam last winter… no strings attached.

While my drumming resume ranges from metal to musical theatre I’ve never taken part in anything that would fall under the banner of folk. Michael plays an acoustic guitar with a style that nods towards that of Lindsey Buckingham. Tommy brought flare to the table with erratic synthesizers, and the occasional complimentary ukulele. Together they seek to craft a sound that is a hybrid of minimalist electronic and folk.

The only Columbus show I played with them took place at the Space Bar in early February. At the time they had acquired the talents of Sylvie Mix to round out the group on bass. I remember the burden of concern that Tommy had expressed for that show. To consider a rhythm section that hadn’t ever gone over the songs together would sound the alarm of inadequate preparation, and yet the set started, we all clicked, and the crowd was none the wiser.

After that Sylvie departed for the endeavors of her own plate, and Mumvies Boy would continue without a bass player for the remainder of their time in Ohio.

We started tweaking songs and playing gigs in their hometown of Mansfield. The duo had acquired the vocal talents of local artist Erin Mason (to my knowledge she performs with a multitude of other acts, but I’m only certain of Hello Emerson), and the harmonies she and Michael produced gave the sound an extra layer of magic. I loved the charm of their music, and their Mansfield. Up to that point in my life I’d never experienced latte art, and assumed the patterns atop coffee cups to be the beautiful lie of Photoshop. Though I’ve seen pictures of such imagery online, the physical cup of chai tea amused me beyond what it had merited… a simple pleasure serves best.

The Mansfield gigs included the basement office space of a newspaper production house (of which there is a recording), the patio of a local brewery, and a larger outdoor stage that we shared with another Columbus act, Coal Fired Bicycle. Within the scope of that time I met their families, was a guest in the homes they grew up in, explored high rooftops, carousels, and developed friendships outside of a classroom setting. All of which happened to be more than I expected to take away.

With their departure I find a personal joy in acknowledging their hopeful spirits. They venture west in search of the next chapter of their lives, without burning the pages of previous endeavors. I write this only to reflect, and wish them well. I hope they settle into their new home with an ease that allows for their musical project to take root, and continue with the most limited of interruption. I believe in the horror story that is Mumvies Boy.

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From left to right: Erin Mason, Michael Davanzo, my horror-show self, and Tommy Isaac.

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