I came with the same reservations you’ve got: how could this live up to the original trilogy? Stieg Larsson is not the author. In fact the initial rough draft for a fourth installment was put aside for the efforts of Swedish writer and journalist, David Lagercranz. His writing is smooth, and works towards establishing an authentic experience. Lagercranz brings his own story to the table, and what starts as a slow burn is revealed as the foundation for a thriller that compliments the returning cast and new character alike.
That’s how I knew it wasn’t a failure from the start; I was convinced of genuine portraits that brought me back into the story world of the Millennium Series. Blomkvist, Berger, and Salander were presented as they had been, but the side story of police officers Bublanski and Modig offered fantastic commentary, and the attention given to their characters helped to solidify the space. New characters contribute to chaos, and fun is had by all. I enjoyed the book. If there’s a flaw it’s the occasional wording that may be the result of a rushed translation, but that may be too critical of me.
The Girl in the Spider’s Web uses a narrative style that jumps every couple of pages, as a means to show a consistent juxtaposition of events through the scope of different perspectives. Though there is a consistent narrator the emphasis on jumping to different characters with such frequency suggests the possibility that it was written with a film in mind. It transitions fast enough to never burn out on a moment, and seems to move with the fluidity of thoughtful storytelling. It left open the option of a sequel, on which I have mixed feelings.
All in all I enjoyed this book, and would recommend it to fans of the original trilogy. It’s fun, authentic to the established editions before it, and satisfies the desire for a quality continuation.