WE ARE NUMBERED_ Debuts with Solid Mix of Dance and Experimental Electronic in “Valley of Tunnels”

WE ARE NUMBERED_ is the electronic dance project of musician/author: Logan Ryan Smith. The first record is called Valley of Tunnels and was released by Club Garage Records last month. The album consists of ten instrumental songs that presented me with the fresh air of something new, juxtaposed with the familiarity that suggests I’ve been here before…a soundtrack to an 80’s science fiction flick that never was.

            The opening track, Running Thru Miami With Swords introduces the project with a pulsating rhythm that has characteristics of an instrumental Blue Monday. With this up-tempo dance anthem to kick things off, synth stabs get to the heart of the matter with rotating hooks that had me on board to give this record a chance. 

            Cloud Break is the second song, and there’s reverb on the opening drums, a departure from the opening song. The notion of dance music takes a backseat to something a little more experimental here, as the drums abandon the four-on-the-floor approach for something a little more thought out. Synth blasts, coupled with the drum patterns took me out of the club and into a sci-fi storyline. 

            We return to beats, melodies, and structure of fun electronic dance in the title track, Valley of Tunnels. Science fiction vibes move through this song as well, but bring the catchy hooks that have this one playing in my head long after it’s over. 

            Andromeda Dropout is the first track where I noticed what I interpreted to be electronic guitars. To this point on the record I’ve only made out programming and synthesizers, but this song is layered with roomy, ambient guitars that again, shows Smith isn’t one to reveal all of his tricks and talent in one place. 

            Dynamics are often compressed out of contemporary productions, especially music that’s meant to make you get up and dance. I can appreciate it when dynamics are used to enhance the flow or altogether change pace. It’s a rarity that catches me off guard these days. When the engine-like sound cuts through Requiem For a Synthetic, I was made to feel uncomfortable, which seems to be the intent. This kind of hard dynamic stab surfaces again in Mannequin Sunshine, when the synthesizer lead blankets the rhythmic flow of my favorite song on the record. 

            We conclude with See You When It’s Over, where we are again shown that not all of Smith’s cards get played at once. The beat deviates from the standard four-on-the-floor beat for something a bit more experimental. I live for the kind of programmed drums that deviate from expectations, and it’s delivered here. A pulsating rhythm sets the foundation for an electronic wall of sound experience, and I will run headfirst into this wall again and again…because it’s that damn good. 

            Valley of Tunnels is a fantastic first effort by WE ARE NUMBERED_ and while it’s been on my rotation, I’m already thirsty for more. Check it out, give it a spin on whatever streaming service you use. There’s far too much good music that gets lost under the radar, but I’ve taken notice of this, and you should too. There is potential for furthering the catalog and if this project continues, I will be there to hear it out. 

Death Among Us: Short Story Anthology

Disclaimer: I am a part of this project.

Now that that’s out of the way, Death Among Usis a collection of short stories that are all somehow rooted in the murder mystery genre. The authors weren’t tethered by any other stipulation, aside from a request to not be gratuitous in our use of violence. The resulting anthology includes cross genre stories that venture into the historical, science fiction, and supernatural, in addition to contemporary stories of greed, revenge, and the most sordid of our shared human condition.

As it should be with any anthology, I owed it to the other writers to give their works a spin. I started at the beginning, and read the award-winning The Rose Slayer by Stephen Bentley, and the conclusion hit home for me in a way I can only describe as delightful. From there I branched out, helped myself to a sampling, and found that I’m in the company of quality.

The science fiction take on the theme, as crafted by Greg Alldredge, offered a bit of something different. As a lover of science fiction, I’m pleased with what Alldredge brings to the table.

Red Solo Cup, by Kelly Artieri stood out, as she is excellent at creating characters that come to life, a quality I find difficult to achieve in the short story medium.

Robbie Cheadle’s historical murder mystery, Justice is Never Served, is filled with a prose style that is so wonderfully crafted, I read it twice to let her lines settle in.

Michael Spinelli takes you to the desert, and leaves you there to die. His story, No Man’s Land, establishes the killer as a monster of sorts, using this language to distance killer from “normal” people, but the twist left me with the conclusion that in the grand scheme of things, we’re not so different from those we try to label as the horrific other.

The work of L. Lee Kane is gritty fun. The murders were not the main event for me, as casual violence exists throughout her narratives, and shows a world where such violence is all too normal.

The Thoughts of Emily Morales in Old Age, by Kay Castaneda is a page long train of thought that moved me in ways beyond that than I had initially expected. The quick piece is to be savored and thought upon.

The Neighbours, by Aly Locatelli is her writing debut, and a solid one at that. Her work as a book reviewer serves as a solid foundation for her own narratives. She knows what the reader wants, and how to get you there.

The posthumous works of ‘G’ left me intrigued about the mind of the author. I was especially interested in/entertained by the religious questions of Next.

 

I kind of fell into this project. I responded to an invitation on a message board, and ended up in the company of some impressive authors. This cast of international talent isn’t a group to whom I owe the above praise, and I will refrain from reviewing it on any platform where it may be deemed unprofessional. I just wanted to use my space here to say I’m touched to be among such company, and have been entertained by their work. You can find the Death Among Us here!

 

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Book Review: A Glitch in the World

I read ‘A Glitch in the World’ on a whim. Alex Drozd offers questions regarding the human condition through the scope of science fiction, and on the surface his vision of the future feels incredibly real.

Debate is used in ways that reflect upon contemporary issues with a futuristic spin. One of my favorites centered on the topic of music production. Computers and AI produce music, as there’s no human element in the popular songwriting process. One character prefers this, while another expresses a nostalgic longing for the days when people made music on computers. It reminds me of a conversation I had with my father when I was a child where he described the virtue of music produced without computers, whereas I have a taste for music made on computers.

Another question the book proposes revolves around the worth of an individual. Motorized vehicles are 100% automated and with AI responsible for driving, the value of a person is brought into the equation when it comes to the occasional accident. People are quantified based on a number of variables, and the computer does everything possible to spare the more valuable entity, even if it includes killing the lesser person. I feel the value of a person could be considered controversial if corrupt powers have any sort of influence, but Drozd did not venture there.

What we get is a story about a teenager full of angst, and the complications that arise after a friend commits suicide. There are beings from a parallel universe that only appear to our protagonist, and my only gripe is that their motives seem bigger than the end result. Even still, the ending offers a twist of sorts that is great fun.

The book was well edited in terms of proper grammar, but I feel some of the phrasing throughout could’ve used a little more tweaking. Drozd offers readers a fantastic effort in his debut.

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