WE ARE NUMBERED_ is the electronic dance project of musician/author: Logan Ryan Smith. The first record is called Valley of Tunnels and was released by Club Garage Records last month. The album consists of ten instrumental songs that presented me with the fresh air of something new, juxtaposed with the familiarity that suggests I’ve been here before…a soundtrack to an 80’s science fiction flick that never was.
The opening track, Running Thru Miami With Swords introduces the project with a pulsating rhythm that has characteristics of an instrumental Blue Monday. With this up-tempo dance anthem to kick things off, synth stabs get to the heart of the matter with rotating hooks that had me on board to give this record a chance.
Cloud Break is the second song, and there’s reverb on the opening drums, a departure from the opening song. The notion of dance music takes a backseat to something a little more experimental here, as the drums abandon the four-on-the-floor approach for something a little more thought out. Synth blasts, coupled with the drum patterns took me out of the club and into a sci-fi storyline.
We return to beats, melodies, and structure of fun electronic dance in the title track, Valley of Tunnels. Science fiction vibes move through this song as well, but bring the catchy hooks that have this one playing in my head long after it’s over.
Andromeda Dropout is the first track where I noticed what I interpreted to be electronic guitars. To this point on the record I’ve only made out programming and synthesizers, but this song is layered with roomy, ambient guitars that again, shows Smith isn’t one to reveal all of his tricks and talent in one place.
Dynamics are often compressed out of contemporary productions, especially music that’s meant to make you get up and dance. I can appreciate it when dynamics are used to enhance the flow or altogether change pace. It’s a rarity that catches me off guard these days. When the engine-like sound cuts through Requiem For a Synthetic, I was made to feel uncomfortable, which seems to be the intent. This kind of hard dynamic stab surfaces again in Mannequin Sunshine, when the synthesizer lead blankets the rhythmic flow of my favorite song on the record.
We conclude with See You When It’s Over, where we are again shown that not all of Smith’s cards get played at once. The beat deviates from the standard four-on-the-floor beat for something a bit more experimental. I live for the kind of programmed drums that deviate from expectations, and it’s delivered here. A pulsating rhythm sets the foundation for an electronic wall of sound experience, and I will run headfirst into this wall again and again…because it’s that damn good.
Valley of Tunnels is a fantastic first effort by WE ARE NUMBERED_ and while it’s been on my rotation, I’m already thirsty for more. Check it out, give it a spin on whatever streaming service you use. There’s far too much good music that gets lost under the radar, but I’ve taken notice of this, and you should too. There is potential for furthering the catalog and if this project continues, I will be there to hear it out.